Author's Diction~Dr. Vipin Behari Goyal: realism
Showing posts with label realism. Show all posts
Showing posts with label realism. Show all posts

Friday, January 8, 2016

A country in Romance

Decline of Romanticism

Kerala Photo by Ashu Mittal

Being a Country in Romance is entirely different from being a Democratic or Sovereign country. It implies that the country which is a political unit with well defined geographical territory, is inhibited by people who are romantic.

William Wordsworth had visited France before he composed the poem “The French Revolution”. He was obviously impressed that the whole nation is enchanted by Reason as the prime motive for a revolution to bring a change. The attraction of a country in romance was undeniable. As we know W. Wordsworth, he would never compose a poem when there is the spontaneous overflow of powerful emotion, but after some time when he would sit in contemplative mood he would recollect those emotions in tranquility. Slowly the tranquility would disappear and the emotions would gradually re-emerge with more intensity. At this moment he would compose the poem which would become immortal as 'The Daffodil' or 'Tintern Abbey'.

If we examine the characteristics of Romanticism we can decide if the country is really in Romance.

1. Love of Nature:

It is not as easy as it sounds. If we had ever really loved nature, it would have never become so dangerously polluted as it is today. If we go by statistics of environmental science no country can claim to have a love of nature. Loving is nurturing, not destroying.(Tweet it)

2. Emotional dominance:

Instead of reason or intellect, emotions, feelings, instincts and intuitions should prevail in a country in Romance. In an analysis, we find that people have become more egocentric, selfish, goal oriented and materialistic in approach. They have become more callous towards the suffering of humanity. Disparity in rich and poor would not have widened, if people were emotional.

3. Folklore language in Literature:

Since beginning, literature was created in two types of languages. Language of Elite and that of Folklore. Though out of fashion elite also read and appreciate Folklore literature but that is only a pretense to show off that they understand and care about life and sufferings of common people.

4. Exoticism:

Lands of mysteries and voodoo have always enchanted the curious mind of people. After the advent of media and transportation nothing is exotic any more.

5. Supernatural:

Due to spread of education and progress of science less and less people now believe in supernatural powers.

6. Haunted by the Past:

Some countries do not have a glorious past. If we go few centuries back, which is small time looking into the history of civilization, they did not even existed on the map of the world. They are now leading powers of the world. Some others who have a rich history of thousands of years are now almost beggars. Past is future, so no need to be haunted by it.

Thus we find that there is no country in Romance, Wordsworth was also disappointed by aftermath of French Revolution.

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© Vipin Behari Goyal

Tuesday, August 18, 2015

Ashes to ashes, Dust to dust~Gabriel Garcia Marquez

Gabriel Garcia Marquez's ashes reaches home in Colombia


[PHOTO-LA TIMES]


The news flashes a host of memories when we were caught in the magic web woven by Gabo ( the affectionate nickname of the Author) in his books "One hundred of solitude" and "Love in the time of cholera".


Review of "One Hundred Years of Solitude" on goodreads.(17.09.12)

"For a week when I was reading "One hundred years of solitude", I was living in Macondo and lost all my connections with the real world. Every person I met I searched for either Aureliano or Arcadio in him. The whole world could be divided in two types of people Aureliano or Arcadio. The fluidity of transcendence is superb from one Aureliano to other Aureliano. The ordinary has inbuilt extraordinary in it. Rather "more the ordinary" proves "more the extraordinary" in it.
At one time superstitions and premonitions come true, at another time a long narration culminates in a quotation like "Poverty is the servitude of love."
The last paragraph of the book is amazing."It was the history of the family, written by Melquiades, down to the most trivial details, one hundred years ahead of time. He had written it in Sanskrit...".
There is only one epic "Ramayana"  that was written much before the happening of events.
I salute Gabriel Garcí­a Márquez.~Vipin Behari Goyal (Author)

This is what Superman says about his own masterpiece:

"One day I discovered the right tone—the tone that I eventually used in One Hundred Years of Solitude. It was based on the way my grandmother used to tell her stories. She told things that sounded supernatural and fantastic, but she told them with complete naturalness. When I finally discovered the tone I had to use, I sat down for eighteen months and worked every day.
In One Hundred Years of Solitude."

According to Terry Pratchett "Magic Realism is like polite way of saying you write Fantasy".

Gabo says "The trouble is that many people believe that I’m a writer of fantastic fiction, when actually I’m a very realistic person and write what I believe is the true socialist realism."

Author himself want his work to be classified as Social Realism rather than as Magic Realism.

Let us see what the difference is:
Realist author writes about the realities of life as perceived by him through the senses and experience. That reality may not be absolute reality. Perceptions are also deceptions.

Since World is Conical and is divided  in two uneven halves, Proletariat and Capitalist, Oppressed and Oppressor, Rich and poor, Haves and Have-Nots,  and if an author chooses to write about the poverty stricken  people, their life and sufferings (and few breezes of happiness) and struggle, he is said to be writing about Socialist Realism.  

In Magical Realism some unreal events are interwoven in a real story so skillfully that the unreal also appears to be real.

Many authors like Gabo deny their work to be Magical Realism, which is not as high stature of the work as Socialist Realism is.

The magic spelled by him will continue to enchant many coming generations.

The news about the transfer of his ashes appeared as follows:

"The ashes of Nobel Prize-winning author Gabriel Garcia Marquez are heading to the country of his birth, Colombia.
Garcia Marquez -- known to his fans as Gabo -- had been a journalist early in his career and traveled around the world. He settled in Mexico, where he lived for many decades before his death in 2014 at age 87.
But the author of the "One Hundred Years of Solitude" and "Love in the Time of Cholera" often set his fictions in Columbia. The Caribbean city of Cartagena, particularly, served as muse and inspiration."(LA Times).

Writing Tips by Gabriel Garcia Marquez  based on his various interviews:

1. Talk to Old People: Old people are treasure house of stories. Listen to them patiently. Gabo himself was inspired by his grandmother's impassive narrations to write the story of One hundred years of solitude.

2. Read Great Literature: Books written by great authors are always source of inspiration. Gabo wrote his first story after reading Metamorphosis by Kafka.

3. Visit Old Places: Specially the places where you spent your childhood. Your school, playgrounds, city library. It will bring a flood of memories and you would be able to relive a new experience.

4. Writing is hard work:  Gabo considered writing to be a hard work. He said "Ultimately, writing is nothing but a carpentry." He has further explained that "Writing something is almost as hard as making a table. With both, you are working with reality, a material just as hard as wood. Both are full of tricks and techniques. Basically very little magic and a lot of hard work are involved. And as Proust, I think, said, it takes ten percent inspiration and ninety percent perspiration."

5. Read "Earnest Hemingway on writing": Gabo was also inspired by this book. He has appreciated the way Hemmingway has compared writing with Boxing. He agrees that you have to be in a very good emotional and physical state to be a writer.

6. Be a Perfectionist: Be your own best critic. He says" I think that I’m excessively demanding of myself and others because I cannot tolerate errors; I think that it is a privilege to do anything to a perfect degree."

7. Don't be a megalomaniac: Often Authors does this mistake to consider themselves as center of universe and society's conscience.

8. Work in a familiar environment: Some Author's think that they can write better in some resorts or hotels. William Dalrymple  wrote his book City of Djinns in a resort at Luni near Jodhpur. Gabo finds that familiar environment are more congenial for writing than strange places.


9. Choose your best hours: Every person has different best hours of the day. Author must identify and utilise his best hours.

10. Work very hard on First Paragraph: The first paragraph decides the fate of the book. Gabo says "One of the most difficult things is the first paragraph. I have spent many months on a first paragraph, and once I get it, the rest just comes out very easily."

Rest in Peace Gabriel Garcia Marquez


© Vipin Behari Goyal
Advocate, Rajasthan High Court, Jodhpur, India

Saturday, July 6, 2013

Why Murakami did not get a Nobel?


Why Murakami did not get a Nobel?

When everyone waited expectantly that the Nobel prize for literature for 1912 would go to Murakami , the name of Mo Yan was announced. Not many had read him before. Some booklovers even never heard about him. People sought consolation in the fact, that at least some Asian has won the prize.

Despite the hype and nomination why Murakami missed it? The literary world debates like academician. Most of the books of Murakami are best sellers and after his epic IQ84 he was considered as a potential contender of The Prize. At least the name would remind people of a great work of George Orwell, since in Japanese language 9 is written as Q. The novel is interesting and two moons could be symbolic of many things. What it lacks is a nucleus. The Author is not an entertainer, he has a social responsibility. Where is the voice against social injustice and satires against totalitarian political system which 1984 had?

So far people know that Mo Yan wrote stories about his village, what he had seen and faced all his life. So it touches the core of the heart and makes you realize that human emotion all over the world are identical. Many would not like to argue whether Mo Yan’s work is hallucinatory realism or magical realism, for a common man all magic is hallucinatory.

Everyone believes that the decisions of committee have remained controversial since its inception in 1901. Chekhov and Tolstoy were deliberately overlooked just because they were Russian and “ideal direction” was misinterpreted to favor certain authors. But same is not true for Japan. Japan has already won the Nobel Prize in literature twice,   Yasunari Kawabata in 1968 and Kenzaburō Ōe in 1994.

If committee could ignore Kafka (“The Metamorphosis”, “The trial” and “The Castle”) himself, they could easily ignore the author of “Kafka at the shore”. Though his most popular work of Murakami is “Norwegian Wood”.

Let us listen to this famous Beatles song "Norwegian Wood":


The book reflects western influence on the author. He behaves differently in Japan and USA. He is not brand of Japan. An author carries the weight of cultural values and ethos of the community where he is rooted. If he is to go up, he has to go down.

The fusion of realistic and fantastic in the novels of Haruki Murakami is unparalleled but “The Wave” is not for that. The wave is of “Magical Realism” and “Red Sorghum” is about that.

                                                                                               ~Vipin Behari Goyal