Why Murakami did not
get a Nobel?
When
everyone waited expectantly that the Nobel prize for literature for 1912 would
go to Murakami , the name of Mo Yan was announced. Not many had read him
before. Some booklovers even never heard about him. People sought consolation
in the fact, that at least some Asian has won the prize.
Despite
the hype and nomination why Murakami missed it? The literary world debates like
academician. Most of the books of Murakami are best sellers and after his epic IQ84
he was considered as a potential contender of The Prize. At least the name
would remind people of a great work of George Orwell, since in Japanese
language 9 is written as Q. The novel is interesting and two moons could be
symbolic of many things. What it lacks is a nucleus. The Author is not an
entertainer, he has a social responsibility. Where is the voice against social
injustice and satires against totalitarian political system which 1984 had?
So
far people know that Mo Yan wrote stories about his village, what he had seen
and faced all his life. So it touches the core of the heart and makes you realize
that human emotion all over the world are identical. Many would not like to
argue whether Mo Yan’s work is hallucinatory realism or magical realism, for a
common man all magic is hallucinatory.
Everyone
believes that the decisions of committee have remained controversial since its
inception in 1901. Chekhov and Tolstoy were deliberately overlooked just
because they were Russian and “ideal direction” was misinterpreted to favor certain
authors. But same is not true for Japan. Japan has already won the Nobel Prize
in literature twice, Yasunari Kawabata in 1968 and Kenzaburō Ōe in 1994.
If
committee could ignore Kafka (“The Metamorphosis”, “The trial” and “The Castle”)
himself, they could easily ignore the author of “Kafka at the shore”. Though
his most popular work of Murakami is “Norwegian Wood”.
Let
us listen to this famous Beatles song "Norwegian Wood":
The
book reflects western influence on the author. He behaves differently in Japan and
USA. He is not brand of Japan. An author carries the weight of cultural values
and ethos of the community where he is rooted. If he is to go up, he has to go
down.
The
fusion of realistic and fantastic in the novels of Haruki Murakami is unparalleled
but “The Wave” is not for that. The wave is of “Magical Realism” and “Red
Sorghum” is about that.
~Vipin Behari Goyal
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